London, 1865.

Gabriel Fyreand theBlack WidowMourning Society

When Gabriel’s father disappears in the night, the only things left behind are questions — a locked workshop, a hidden key, and a scarab that should mean nothing.

A debut novel by Dan Maloney

Cover of Gabriel Fyre and the Black Widow Mourning Society by Dan Maloney

The Novel

Some secrets are hidden in darkness

The police are strangely reluctant. Respectable men insist Lazarus Fyre was mad. But Gabriel knows his father — and he knows when adults are lying.

And then there are the widows.

Thirteen women gather behind closed doors.

Thirteen cups are placed upon the table.

And somewhere in London, an hourglass is turned.

“Intrigue, danger and a world beneath the surface — a captivating start to a remarkable series.”
Genre
Historical · Mystery · Adventure
Format
EPUB ebook · DRM-free
ISBN
978-1-739200-01-4
A candlelit Victorian clockmaker's workshop with an hourglass, a golden scarab and ink sketches

The locked workshop of Lazarus Fyre

My Story · Inspiration

Where the fog first gathered

Every story begins with a question. Mine began with an old pocket watch that had stopped at a quarter past midnight, and the thought that would not leave me alone: who wound it last, and why did they never come back?

I have always been drawn to the London of the 1860s — a city of gaslight and soot, of iron bridges and river fog, where new science and old superstition walked the same cobbled streets. It was a place of grand respectability above, and of secrets, debts and mourning crape below.

Gabriel Fyre grew out of that tension: a boy who refuses to accept the polite lies of grown-ups, set loose in a city that is very good at keeping its mysteries. The widows came later, as the best villains do — quietly, at the edge of the candlelight.

— Dan Maloney

My Story · Illustration

Ink, gears & candlelight

Before there were chapters there were sketchbooks. I find my way into a world by drawing it: the curve of a spider’s leg, the silhouette of St Paul’s through fog, the precise teeth of a clockwork gear.

Those pages became a visual vocabulary for the novel — the hourglass, the scarab, the raven and the black widow — symbols that return again and again, in the story and on the cover.

For the jacket I wanted something that felt like a Victorian poster seen by lamplight: stark black, bone-white and a single, unforgiving red. Time running out, a city caught in the web, and one small figure walking straight into it.

An open sketchbook with ink drawings of a black widow spider, an hourglass, a raven and Victorian London
  1. I

    The sketchbook

    Rough pen studies of characters, places and recurring symbols.

  2. II

    The workshop

    Lazarus Fyre’s world of brass, clocks and hidden mechanisms, drawn room by room.

  3. III

    The cover

    Every motif distilled into one hourglass: London above, the hunt below.

The full wrap-around jacket of Gabriel Fyre and the Black Widow Mourning Society
The finished jacket — London above, the hunt below, and an hourglass already turning.

Novel Preview

London, 1865

When Gabriel Fyre’s father disappears in the night, the only things left behind are questions.

A locked workshop. A hidden key. A scarab that should mean nothing. And the memory of a strange, mournful flute drifting through the fog.

The police seem strangely reluctant to investigate. Respectable men insist that Lazarus Fyre was mad. Others claim he has simply gone away. But Gabriel knows his father — and he knows when adults are lying.

His search draws him from the gaslit streets and crowded wharves of London into a world of secret societies, coded ledgers, disappearing cargo and men determined to keep certain discoveries buried.

Along the way, Gabriel finds unlikely allies: a fearless girl beneath the gallows, a blind knife-sharpener who sees more than most men with sight, and a young Chinese woman whose own family has become entangled in the same dangerous web.

And then there are the widows.

Thirteen women gather behind closed doors.

Thirteen cups are placed upon the table.

And somewhere in London, an hourglass is turned.

Gabriel is learning that finding the truth is not the same as understanding it.

A clue can be genuine and still lead you in the wrong direction.

A friend can betray you and still be your friend.

And sometimes the people who claim to be protecting you are keeping the greatest secrets of all.

Some secrets are hidden in darkness.

Others are hidden in the light.

Continue the story

Cover of Gabriel Fyre and the Black Widow Mourning Society

The Ebook

Turn the hourglass.

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£4.99